Here is part 2 of our interview with Fashion Photographer, Gene Kiegel.  Yesterday, I showed you the man behind the lens, now we look at his  work and let the photos do the talking. He discusses his inspirations, his views on the future of photography and  his experiences of shooting iconic celebrities ( Paris Hilton, Bai Ling, Ice Cube, etc.) and models.

3. You stated that you haven’t had formal training in photography. However, you are now teaching others about photography at Central Saint Martins. How does this affect your teaching style?
Well, to be honest, the amount of information I’ve researched over the years and keep learning every day is probably more than any school would ever give me.  Many teaching methods stress memorization and learning through practice, while I strive to understand the principles and theories behind what I do.

For example, when I teach about lighting, I teach people to understand how the light works and how to control it vs. standard setups.  I teach people to envision what they want to shoot and then shoot it.  I want to teach them to be picture makers and not picture takers.

Of course, with everything there is a great degree of discovery and most important is self-reflection.  It’s the moment after the shoot, when you go through your images and you analyze and make notes of what worked and what didn’t.  Learning from your mistakes is a must because if you don’t make mistakes you simply have nothing to base your experience on.  Some of mistakes can look terrible; some may give birth to your new unique style.

I also think of a photograph as a medium to transfer people’s energy.  And it is a photographer’s job to engage the person, bring out and capture that energy, so the viewers are then able to receive it and react to it.

I also stress the importance of understanding yourself and what you like as a basis of developing your style and visual identity.  Photography is about expressing yourself and everything that you stand for, you have to be true to your vision and not follow the latest trend of what you may have already seen in other photographer's work or publications or adverts.  Then your work would look like everyone else’s.  So, why would anyone want to hire you in particular then ?

 4. You have worked with a number of celebrities who stands out in your mind as the most memorable?

Well, there are a few that definitely made an impression.  For one, it was Bai Ling.  She was just a delight to work with, such a wonderful person.  Secondly, Ice Cube.  I was immensely impressed by his work ethics and also to see his music genius at work was an incredible experience.  And also, Cliff Curtis.  I met Mr. Curtis at a Diane Farr’s birthday party.  I was under the stupendous impression that we went to school together and started chatting with him like an old friend, only much later realizing that he is NOT the guy I went to school with and that I’ve seen him in movies like Traffic and Three Kings.  Well, that only seemed to work in my favour as we really seemed to get along well and the next day he was at my downtown studio for a series of really “out there” headshots of him trying to hitchhike a car walking barefoot on the 4th street bridge or driving in the jeep through the LA river and playing a fugitive and climbing walls.  It was a blast and truly nothing of the ordinary.  

So, it’s these fun experiences and great photo shoots that got me recommendations of these actors to their agents and so forth and after I shot Paris Hilton for her music video debut that really seemed to put a seal of approval on my work for many clients and opened  doors to many opportunities.  

5. You have mentioned your IT background ... However it is noted that you have a preference for film over digital.

Well I think it really depends on what your style is and what you want to achieve.  I think that digital camera is a great learning tool due to its instant feedback, particularly when you work in the studio environment. But other than that, it’s just another choice of a medium with its advantages and disadvantages.  I don’t agree that digital media should be replacing film.  Like any form of medium, one compliments the other and so on.  There are many legit reasons for using digital, especially for commercial reasons, and perhaps with time it would be able to catch up to the feeling of space, depth and artistry that only film currently delivers.

In fact, when I started shooting, I was one of the first photographers who went completely digital, only discovering later on that film was a more appropriate media choice for my purposes.    

That’s why for now, my preferred way of working is an organic process.  I approach each project like a painter who is looking at his colour paint palette and choosing the colour scheme of his future painting.  That’s how I look at the film stock I use and the developing process methods I can use.  I also search for lenses that give me a desired effect and also decide on which film format to shoot.  It’s also important to keep in mind what is the final intent and how it is going be presented.  What printing technique is going to give it the desired effect or is it going strictly digital.
If all you are trying to produce is an image that would look great on the screen – than go digital – the native process.  I always find that my “organic” prints look much better printed rather then viewed on the screen, while the digital images look amazing on the screen but really can’t hold their own in the print.

 Coming from IT background and also spending countless ours in front of the computer as it is, I want to minimize any additional unnecessary time with it. So, I’d rather stylize my shoots directly via the shooting / developing process rather than try to imitate a certain film effect through Photoshop.  It really saves me overall time and makes the final image have much more depth to it.

But I also thank my IT background because for years now, I’ve been able to be a “one man show”, running my business, building my own PCs, my website, promos, doing mass emailing, learning all about printing, scanning, colour-profiling and so on.  It’s good to be friendly with technology.

6.  Your work has a very cinematic quality, how would you describe your work?

It is a combination of cinematic and voyeuristic. When I shoot models, I do it similarly to how you would direct a movie. I give everyone a story and a role to play in a given scenario to create the scene and then I wait for the magic to unfold.  I also try to enter their world.  It’s very important for me that a model feels comfortable without any inhibitions.  I want to understand that person to establish the unspoken mental connection and to bring their energy out and onto the image.  While some of my imagery is quiet and ambient, other is purely “in your face” and concentrates on the emotions evoked.
 
7. Where do you see photography going in the future?

 Well, I think some of that movement is quite obvious already.  As we see now, that many of the high end advertising is now moving onto snapshot based images and commercials are being recorded via webcams and mobile phones.

I think that there will be few select high end fashion labels that would still employ the usage of a single striking powerful photo image, but the demand would be very few and those photographers would have a hard time earning a living out of the few jobs they get.  So, I believe that there will be a major split between people going into illustration, moving image and select few would be going into the world of fine art.

 

 

 

1.I’ve seen you putting a stamp-like character on some of your photos.  What is the significance of that?

Well, being originally from Ukraine, my first name is Yevgenii, or Zhenia for short, where “Ж” is the first Cyrillic character of the shorter version.  The character is quite unique and very graphic.  I made it into a stamp and often use it instead or along with my name signature for some of my personal and fine art work.

But you probably wonder, how did I get to Gene from Yevgenii in the first place.  Yevgenii is a name of Greek origin and means “born into nobility, noble”.  The English variation of that name is Eugene or Gene for short.   So, during the time of making my name “official” I went with Gene Kiegel for the ease of usage

2.You had many different career ambitions throughout your life (product designer, computer scientist, architect) how did you finally settle on photography?

Well, to be honest I’m still toying with the idea of being an inventor.   I think growing up in the environment where there are few basic things available but you wanted more, you were naturally forced to use your creativity to find ways to solve everyday challenges.  I think it really opens ones mind to work with what you have and come up with creative solutions to any challenges that come along your way.

I enjoy all sorts of creativity and I think that photography was my main and most natural outlet of that.  See, I never realized that photography could actually be a profession.  Coming from the socialist Soviet Union and being somewhat sheltered from visual adverts, I was never really exposed to the world of beautiful photo imagery.  I had seen some beautiful art and movies, but .. not photos.

When I moved to the US with my parents, I was 15 years old. The things that really struck an interest were movies and video games.  I won’t deny it, yes, I did think of going into acting as well and the only reason I ended up doing computer science and engineering at UC Berkeley was my love for creating the worlds of video games.  After two years of computer science I realized that creativity was not really something that graders were looking at.  They wanted solid answers by proven methods.  So, clearly, what’s the fun in that   I decided I needed to find something closer to my heart.   After some soul searching I ended up graduating in Architecture and took a few fine art courses along the way.  I love architecture and it is really one of the hardest and time consuming professions out there.  I have the greatest respect for people who are doing it.

 After finishing school I was tempted by the social myth of making money first and following your passion later, so I ended up back in Information Technology world.  I figured that from the funds I’d accumulate from my work I’d be able to start my own architecture practice in just few years.

To cut a long story short, at 25 I had a million and a half dollars stuck in stock options.  The timing wasn’t on my side though, as the stock market crash left me with virtually nothing.  I lost my job, my relationship was over so I figured to come back home to Los Angeles and have a fresh start.  

I got a call from one of my friends asking me if I’d like to replace one of their friends who cancelled their trip last minute to go to Brazil for Carnival.  I figured it couldn’t be a better timing.

Oh Brazil.. I think I owe so much of that experience to where I am today.  I still remember the exact moment I had my “epiphany”.   It was sunset at a beautiful beach in Bahia.  The tourists were long gone with the carnival crowd and I was all one on the beach watching the sky as it changed colours and I was just laying there with nothing on me but a pair of shorts and a capirinha in my hand.  For the first time in my life I felt contempt with myself.  I felt happy.  I realized that my ever-going chase for money or material things or career goals or being happy by social standards is nothing but a trap.  I’ve had the money, I’ve had the cars, and I’ve had the lifestyle everyone dreamed off, yet that never really made me happy.  There was always the next goal to set, the next milestone that I thought would make me happy, but it’s like a dog chasing its own tail.  This is not a route to happiness.  The key to it is to be happy now.  To be content with your reality, with your daily actions and your daily life.  It needs to have a purpose that material things would never replace.  That feeling really stuck with me and when I came back to LA, things started to slowly change the direction.  I just wanted to enjoy my life, and most importantly, to give it a purpose.  Naturally, all the decisions make its course and nothing happens overnight, so while searching for the next IT job in the dead market, I stumbled upon a part time opportunity of being a model scout.  Given the fact that I was recently single and also never really having a proper chance to party as I was studying and working pretty hard all along, this seemed like a perfect match.  My job consisted of scouting potential models and new faces while going out, partying and meeting new people.   

I soon realized that many of these models are completely new to the industry, and needed photos for their portfolio.  I had always done photography as a hobby ... I think from the age of six.. I really didn’t know much.. but I had a good sense of composition and since I’ve always been into painting or drawing, I learned to look at things differently and to find beauty in things.  So, I started giving out my “photographer” card along with the model scout card to offer them a very cheap photo shoot sessions.

Unfortunately, I found out the modelling agency was a scam and I cut ties with them but I still pursued my new-found joy - photography. I wanted to learn as much as I could.  For a number of reasons, I didn’t really see a point of going to school to study photography, so I would read books, experiment and visit the guys at the local photo store to bombard them with loads of questions.

I guess because I’ve never had any formal photography training, nor really any exposure to photography / fashion world, my pictures were different from people that were in the industry.  I got noticed by a few agencies at first and soon model agencies like Wilhelmina, Ford, Warning and Elite started paying me to do portfolios for their models.

Stay tuned to this blog as part 2 of this interview will be posted tommorow. In part 2 Gene discusses his inspiation, his style and th future of fashion photography.

Tell us a little about yourself – (where you grew up, your life – anything you wish to tell)

Okay! so…… I grew up in a small town called Crediton in Devon. The most exciting thing that ever happened there was the alleged birth of “St Boniface” the man who is accredited partly for the integration of the famed Christmas tree into our festive celebrations. So a pretty dull environment to grow up in on reflection.

How did you start modelling?

I went through school as standard, got into rugby, began playing for the county and then, on a trip up to London with my mum, got spotted by Models1 in the Oxford St, Topshop. I was 15 at the time, and didn’t know what to think of it. My mate Myles, who was there with me began spreading the gospel through school that I was now officially a model for TOPMAN.  Eventually M1 organised a test shoot and took me onto their books. The first few jobs were for girls magazines. My mum made the trip up to London every time and made sure I was suitably embarrassed for the duration of the shoot. The first big job I got was ironically for TOPMAN. From then on, I tried to balance school with modelling, sometimes un-equally, and decided after I’d finished my A levels, that I would do it full time for a while.

You starred in two major commercials last year (Paco Rabanne and Diesel). Have you ever thought about going into acting?

Diesel and Paco were great fun. But I still haven’t made my mind up yet about acting. I think its hard, a lot harder than people think, and not everyone can do it. The last thing you want to do is become some horrible model turned actor cliche’ and then absolutely prove to people through your lack of talent that you should of stayed being ‘just a pretty face’. But I never shut doors. If someone were to approach me and offer me an audition/script/part. I would always give it the best I could.

  If you weren’t a model what would you like to do instead?

I’d quite like to be a ninja. But like Max (Rogers)…I’m a writer (In fact I’m pretty sure we said we would give each other feedback on some stuff we’ve both written. I’m going to message him now) But I’m all into Socialism, and think the world is in a pretty messed up way. So I wouldn’t mind venturing into Politics or Social Science if I felt I could make a difference. When I was little I wanted to be a Marine Biologist, I guess that’s still on the cards too…………

Do people recognize you on the street?

 Nope….I’m an enigma (Thats pretty hard to believe considering that his videos on a youtube have received over a 100000 views. and hes got several facebook fan pages and message boards dedicated to him)

What has been the memorable point of your career?

The most memorable point of my career has to be working with Kate Moss.  I was 17 at the time and there I was in speedos lying next to the most photographed woman of all time……things like that just don’t happen to a boy from the shire. (click here for the NSFW photo)

What kind of jobs would you like to do in the future?

I’m easy as far a jobs go. I’d love to work with Bruce again. He really supported me when I was starting out in this industry. But I’d also love to shoot a campaign where I’m allowed to smile and not have to look like I want to hit someone.

 Whats the craziest thing you have ever done?

If somebody has no secrets they become less enchanting. The crazy stuff stays with me.

Tell us something about yourself that most people would be surprised to know.

I think people would be surprised to know that…..I’m just a regular guy….one who’s been incredibly lucky….(dare I say blessed). But if that’s far too humble an answer and not surprising enough I can also pull a sick back-flip off a wall, do magic tricks, am writing a book, love cooking, I’m a porridge fanatic and was on the BBC news when I was about 5 for having a rare condition called Henoch-Schonlein Purpura which nearly killed me.

In your job you get to travel a lot. Where is your favourite place that you have been to?

By far the best place I have been to is Marrakesh. It’s like nowhere else I’ve been to, and literally blew my mind. I urge anyone who’s reading this (Hi by the way, and thanks for taking the time to read this) to just go..as soon as possible.

Special thanks to Sam Way.

Tell us a little about yourself -

I grew up in Bedfordshire, spending every spare second of my life kicking footballs around. I then moved to Huddersfield for University to study Marketing. I had originally planned to go to Cheltenham but I had a last minute change of heart, I looked at the map of England and saw Huddersfield nestled between Leeds, Manchester and Sheffield and decided that looked a fun place to be.  After graduating I spent some time in Leeds and Manchester, and it was around that time I met Storm so I decided to make the move down to London.

How did you start modelling?

Having finished uni I started modelling. Initially because I was not sure what to do next with my life. I sent some pictures into a small agency in Manchester and they sent me to Milan. I didn’t have any shots in my book and knew nothing about the industry. However, whilst in Milan I met Storm in the street as I was rushing to make a casting.

 I hadn’t expected to model for long at all and certainly never imagined that I would make it to the major fashion capitals of the world, but having met Storm I began modelling full time and went from there.

Describe your personal style?

I think my style is fairly unique, I like to experiment. I don’t think I follow any one particular trend, instead I prefer to take aspects from the root of the trends. I like to interpret and what guess designers might have been inspired by and then develop my own style from there. 

 I like to take inspiration from all sorts including films, art, fashion, sometimes history and my own imagination. So I can often look different from day to day depending on my mood. I always tend to love Vivienne Westwood's stuff, particularly this season!

Also, having been fortunate to work with some amazing designers and stylists I have been educated in what makes good tailoring, I especially love Tom Ford and Bottega Venetta suits and I love any occasion when I get to wear a suit.

If you weren't a model what would you like to do instead?

 As a kid I wanted to be a footballer which is very unlikely now! However I love to write and spend a lot of my free time writing so I'd like to think I would be doing that.
 
Do people recognize you on the street?

 No. At least if they do, they don’t make themselves known!
 
2009 was a phenomenal year for your career (Italian Vogue, D&G FW08/09 etc). What was the highlight of the year?

 I think I will always look at my first vogue cover as a landmark moment in my career, as it probably is for any model. So I would say that was the highlight. It was also a really fun shoot to be involved with as well.

However I was lucky that the whole year was amazing, I got to have a lot of fun, work with some great people and see a lot of the world.

What kind of jobs would you like to do in the future?

I am very ambitious and I hope to achieve a lot more in the industry in the future, however I try not to set myself specific targets and instead concentrate on enjoying the present. I just hope to continue progressing in the industry and I suppose the next level would be to land a fragrance campaign.   

 
What’s your favourite place to chill out/have fun?

 . . . because I've been travelling so much this year I am really enjoying relaxing and being at home in London, especially in the spring! In my opinion there is no better place than London in the spring, as soon as the sun comes out Londoners come to life, we don’t get a lot of sun so when it happens we appreciate it!

In general though, I just love being with my girlfriend and my mates, we are often in Blacks in Soho, which is an amazing little Victorian style, candlelit place. I also like Lost Society in Clapham, or Battersea Park in the summer.

You are in such great shape. What’s your fitness regime like?

 Its hard work! The first thing I ask in any hotel is where the gym is. During the fashion season its particularly important for me to train hard and stay healthy for work.

I try to get to the gym 5 times per week and I train very hard when I’m there. Having finished playing football I like to box for fitness and lift weights to stay in shape. At home it is a social thing as well, I train with all my mates most days.

 
Tell us something about yourself that most people would be surprised to know.

Sometimes peoples impression from the outside of male models are that they are dumb and self obsessed. I hope that is not the case with me!

Also, even though I am a model, I stopped caring what I look like a long time ago. I find it easier to do my job that way. That's not to say I don’t take care of my appearance because I do that to be professional however If I became too protective over a specific hairstyle or something I might be disappointed if I had to change it for work.  I try to keep myself in good shape and stay healthy and I like to dress well as I'm interested in fashion, but I actually don't mind what I look like at all.

Special thanks to Max Rogers and Storm Models.

Image credits:  Image 1: Steven Meisel, image 2: Joseph Sinclair, Image 3: Solve Sundsbo, Image 4:Mario Testino, Image 5: Ellen Von Unwerth, image 6: Lee Cooper Jeans

More Images of Max Rogers by Weston Well are below.

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I was born in Paris' 12th area (12eme arrondissement) and grew up in the outskirts.
In my 20's, I was going out to the clubs in Paris, like Bus Palladium and Elysee Matignon. On a daily basis I would run into icons like Serge Gainsbourg. Jane Birkin, Cesar ( the sculptor ), Helmut Newton…just to name a few. I will always remember sitting next to Newton at the the Brasserie Lipp ,he was taking snapshots with his little point and shoot camera while eating .

I was constantly surrounded by aspiring actors, the French versions of Paris Hilton. I was living the beautiful life.

Meanwhile, I was also working as an assistant director on commercial films. At this time, I remember calling the office of Roman Polanski and informing his first assistant that I was available for the next production, which was the feature film "Pirates". Funny to see how the young Remi Rebillard had no fear.
This was not meant to be, so instead I went to St Barts in the Caribbean to meet up with a friend. While I was there a French Photographer asked me to help him on a shoot for a catalog. I remember taking the light reading with his Minolta Flashmeter.

I started taking photos of my very photogenic girlfriend which quickly led me to working for magazines in Milan.  In 1993 I moved to New York where I started to develop my style by experimenting with gels and color, using different types of film in my Greenwich Village loft. New York was a big step for me. I don't think I realized the influence the city had on me at the time because my agent was only pushing me for commercial work, but I was letting New York inspire me.

What was your inspiration to become a photographer ?

I have always been sensitive to light. Even before I picked up a camera, I would be aware of how light affected my surroundings. How it affected objects, people, even me…… How a room was lit, how it affected the mood…
Not yet a photographer, I saw an 18 year old Tatiana Patitz who had just arrived in Paris sitting just across from me and I knew then that I wanted to stop that instant, to record it, capture it. My first visual emotion. What an “ etrange maniere “ to spend your life looking at people moving in a little rectangular frame knowing “quoi qu' il arrive “ that they will never be the same again .

You have worked with very iconic faces. Who is your favorite model that you have photographed, Is there any model you would like to work with ?

In the 90's, my favorite was Estelle Lefebure. She had the most incredible smile. Every frame on the film was perfect! Later in New York I would say they would be Malgosia Bella or Tasha Tilberg. I didn’t shoot many stars.

As for today, I like the actress Keira Knightley … her elegance … her presence.

Are there any artists who you admire , who are your influences ?

I will start with Bill Brandt for his “Perspective of Nudes “. I read that his influences came from Orson Wells, the wide angles, the ceiling, the doors, from the movie Citizen Kane.
Of course, Penn who has re-invented everything. Newton for his 1930's German eye. Sarah Moon for her unique feminine style . Paolo Roversi,who should have lived in 1750 , Spanish Artist, Javier Vallhonrat and one last, the movie director Ridley Scott. His director of photography is amazing! I remember a Parisian celebrity who said, "Black and white photography is like a tuxedo, quick-fix for elegance. Fred Astaire is only one step away from the maitre-d of a hotel “…

How does working in New York differ from Paris ?

New York's focus is money [cancellation fee, overtime charge, hourly rate.....] and Paris' is creativity [bottle of Dom Perignon in the fridge of the studio]

How would you describe your style ?

I'm not sure…… I read this: The photography of Remi Rebillard is dark but sexy. Capturing his models as they are scantily clad in sleek and sexy swimsuits, you would think you’re just viewing any other typical bathing suit catalogue, but Remi Rebillard’s work has a certain edge to them. Rebillard's sometimes subversive, moody and sexy images are still giving us tingles.
When entering in Remi’s world, you will touch his unique style in photography. He uses his camera like a painting palette. His colours mix affects you deeply & gives you multiple & sometimes controversial feelings fighting inside your mind & heart! Many times you are going to feel that you are watching a fantasy movie directed by extraordinary director. He created a photo & a story at the same time.

If you could shoot any models past or present, who would you like to shoot !

Jane Birkin in 1969. Annee Erotique! 

Any magazine you would like to work with? 

I don't really have one in mind. Maybe "Tele 7 Jours" magazine with Jane B on the cover .

What advice would you give to an aspiring photographer ?

"Le plaisir est dans la creation" , arrive at the studio with your images already strongly in your mind.

Tell us about any future project ?

I am currently working on an editorial with the theme of vintage clothes in a circus.

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Most of the photographers that have been been interviewed on this blog have been men. Therefore its a refreshing change to here the views of a female photographer. We had the chance to interview London based photographer, Emile Muller. Her photos have an element of femininty, sincerity and simplicity that is rare in photography. I hope you enjoy her  deep and insightful anecdotes on the art of photography.

1.When did you first become interested in photography?

A lot comes from my first shooting; I was 11, I photographed my Barbies on their horses, stripped of any scale indication, in a field just outside my home. When I come to think of it, almost 20 years after, I have trouble realising that I never stopped producing since then, following this fantasy of making things beautiful, to my taste.

2. Which artists/photographers have influenced your work?

I try not to be influenced by others’ work; it is more like a network of things, simple things, situations and anonymous people but mostly from the past. The clothes I use are generally my mom's 80's outfits with some others I find here and there. I also work within the realm of the documentary, especially in the Balkans where I find inexorable sources of imagery; there is this strong nostalgic feeling that I so much adore. In the same spirit, I'm fascinated by gesture and composition in rather beautiful paintings from Laurens Alma Tadema.


 3.Your style is very feminine and ethereal. What influences the themes of your photos?

I follow my instinct and my feel for the light, I try to gather the alchemy of what's reflected before me and I see that as my strength. I don't impose myself a restrictive theme, on the contrary, I simply create conditions for the model to express herself. I tell her that we're going to have a good time and no matter what, it will be worthwhile. My style is spontaneous, do-it yourself; I use my own (my mom's) clothes, some outfits from the model and a very limited crew (I recently started to work with a make-up artist and used to do everything alone before that). The person I photograph defines my theme and I capture the emotion when it happens. Maybe I have a lighter approach than would some photographers, I don't like stiff poses, exaggerated expressions. I want my pictures to have a touch of reality to the fantasy.

4.Most photographers are men. Does being a woman affect your photos?

 To a certain extent maybe, there is a different relation to the desire from a woman's point of view, it is more the depiction of an ideal and an expression of personality through style we can relate to. The masculine gaze tends to be more "physical", where the sublimation is obtained with more artifice. I don't think it is a general rule though and I'm sure you can find woman photographing this way and vice-versa.


5.You have worked with Jade from Britain's Next top model. I think she has an amazing look. What was it like shooting her?

Funny you should ask, because before the end of the shooting when we exchange our Facebook contacts and I noticed she had a fan page, I wasn't aware at all of who she was (I moved from Switzerland to London a year ago). Even though I always have a good contact with the girls I photograph, Jade was really special for me. I was stunned by how sweet and nice she was. She is a real angel; I kept in touch with her and consider her a friend.

6.You have worked with models from some of the world's top agencies. Do you have a favourite?

I am really happy that these agencies put their trust in me so quickly. Before moving here, I only had a limited number of pictures made with my friends, everything happened fast. I have a very good contact with Models 1, the quality of the models is of a very high standard and it is all easier when the rapport is harmonious. I would like to work with Next and FM (with whom I'm already in touch) in the near future.

7.What qualities do you look for in a good model?

It is not only about bone structure, leg length, height and striking features. The narrative they are able to carry, their special thing is what makes the difference from a beautiful girl to a good model. I am not fond of the classic beauties, I think presence is more important then attitude.

8. What’s the most important quality a photographer needs to have?

Passion and accept you want to possess emotion, beauty and joy to the extent of making them alive on the image.  Be true to yourself and never lose the ability to communicate to others, share your uniqueness, what you see and what you feel through the medium. Be proud to leave a trace. Someone once said: “every image one takes is a self-portrait”.

9.You usually work on location. Where is the strangest place that you have done a shoot?

I do like the outdoor better, my locations have nothing extraordinary, I shoot my pictures in the streets, buildings of my neighbourhood (Bethnal Green), I try to keep a degree of everyday life in my images.

10.Finish this sentence. You would be surprised to know that...

…surprise is not an option.

11.In 10 years, your dream is to be…
…insouciant of tomorrow.

1.Tell us a little about yourself – (where you grew up, your life- anything you wish to tell)

I grew up in Hamburg, Germany. As a kid I worked in front of the camera, and I always enjoyed the energy on a set. It was also the sound of the old Hasselblad cameras that to me was like magic. The fast, distinct whining sound of them was something I very much enjoyed hearing. I got my first camera at fifteen. I’d go to the zoo and photograph the animals, or just walk the streets of Hamburg and take pictures of people and architecture. In high school I did a year as an exchange student in San Francisco, but then went back to Germany to finish my final year. Photography was always my passion, something I did naturally, but it was never something I thought I could make a career of, so after high school I went to University in Salzburg and Hamburg and majored in Political Science and Communications Science. After I finished my undergraduate work I continued on to receive a master’s degree in public relations and moved back to NY. I continued to take pictures and traveled extensively. During a breathtaking trip to Vietnam where I captured the land and it's people I eyed the idea of becoming a full time photographer. I then attended the International Center of Photography in NY. During a class that was taught by an accomplished fashion photographer  I received a lot of great feedback and encouragement. I started building up a small  portfolio and introduced myself to the top model agencies in NY. After that it went from testing to shooting editorials, to commercial work. Eventually Robert Bacall Representatives became aware of my work and started representing me.
 

2. Tell me about working as a fashion photographer in New York?
I think NY is a magnet for some of the most talented people in the world. True, that makes it extremely competitive, but it also offers an amazing pool of hungry talent who are all here for a reason. They’re willing to make sacrifices and get the job done.  Another great thing about NYC is its infrastructure. Everything is accessible and convenient, all of the best agencies, designers, everything on the same island.

 3. Are there any artists who you admire/ who are your influences?  

Peter Lindbergh for his theatrical sets, Steven Meisel for reinvention Miles Aldridge for his use of color. Paolo Roversi for mood. I’ve also always admired the great war photographer James Nachtwey for true representation of time, space and person

4. Describe your most memorable shoot?

A few years ago I traveled through Vietnam to capture the land and the people. I encountered an endless number of beautiful and remarkable faces, both young and old. With everything the country has been through, and especially considering it is still a developing nation, I was mesmerized by how content and balanced the people are. There were no fancy showroom dresses, no makeup, and no hairstylists, just raw life, and still I find these images to this day to be some of the strongest I shot.

 
5. Are there any magazines you would like to work with that you haven't previously?
I don’t discriminate, but of course big names mean bigger budgets,which again would allow me to pull off more elaborate shoots.

6 Your photos are very theatrical and tell a very powerful story. What goes through you are deciding the theme for a shoot?  

I really attempt to shoot on location, because I’m personally most inspired by locations. It probably is connected to my passion for photojournalism and traveling. A good location can be a story in itself sometimes. You just need to manipulate it, or put it together in a logical way. During the process a lot of time goes into finding the right location for the story you’re trying to tell, and of course it’s very time consuming. Casting is also essential, because fifty percent of the shoot is casting, finding the right model to go with the story is especially critical, because sometimes a model can inspire the story you’re looking for.

7. You have worked with models from some of the world’s best agencies. Do you have a favorite model that you have worked with?
Everyone I have worked with has given me something I can learn from. They’ve all given me a valuable piece. If it’s a new face I’m pushed more creatively as a photographer because it is more of a challenge to get what you need out of them, but if it’s a more experienced model I’m allowed to focus more of technical aspects. So in this sense, everyone I’ve worked with has been a favorite, each in his or her own way.

8. In 10 years, your dream is to be…
To do what I do now just on a bigger scale. As I mentioned earlier I love traveling and I am curious to see that once I have the capability to incorporate the visual treats this globe has to offer into my work what the outcome could be.

I would also like to focused a bit more on advertisement. In advertising you’re allowed to work with bigger budgets and compared to editorial everything in advertisement is mapped out very specifically. There’s a clear vision of what has to be accomplished from the beginning. In a sense it’s easier for a photographer to complete an assignment. Editorial is more convoluted. You have a concept and idea but not the same structure. The execution process is much more precise in advertisement. But ultimately both have the same purpose, selling a product.

Thanks for the interview Tomaas. Dont forget to check out  Tomaas' gallery show starting on January 5th at Taylor Mckenzie Gallery  in Chelsea NY.

The UK  has only  ever won the Ford Supermodel of the World  competition once but I think that  another victory might be just around the corner. Sadie Phelps was recently  selected as the UK Winner of the Ford Supermodel competition and I am seeing shades of Karen Elson and Agyness Deyn. Sadie has a very high fashion look. The Ford Supermodel Contest has helped launched the careers of  the likes of Adriana Lima, Charo Ronquillo, Gemma Ward and Kendra Spears and after the final in January, I think we will be able to add Sadie Phelps to the list of supermodels who started out  on this contest.

  1. Tell us a little about yourself – (where you grew up, your life- anything you wish to tell)

I was up London once in Covent Garden with my boyfriend and a friend of mine, when a man came running out from this salon (Essensuals Toni & Guy) asking if i would like to be his model for a hair competition, at the time i was 16 and all i cared about was standing out from the crowd, rebelling as one would say! So i really didnt care what happened with my hair, i was more than happy to model for him, my hair went from long to SHORT over night! We ended up winning the competition and i think i could put that down as being one of my first 'shows'.

3. The Ford Model Competition has some very prestigious Alumni. Chanel Iman, Kendra Spears and Adriana Lima. How did it feel to win the British leg of the competition?

4. If you weren’t modelling what career path would you follow?

7. In the UK there is sometimes a negative attitude towards red hair. We sometimes hear of people being picked on because they have red hair. In fact the BBC described it as “Gingerism”. Models, like yourself, Lily Cole and Karen Elson are helping to popularize red hair. How does this make you feel?

 8. Tell us something about you that would surprise most people.

10. What is your ultimate goal as a model? What is in your future?

 
Joseph Sinclair has photographed some  of the world's biggest pop icons such as JLS, Michelle Williams from Destiny's Child and Kimberly Wyatt from the Pussy Cat Dolls. He also lensed  some of the industries most in demand male models. One thing that is common to all his photos is how he manages to bring out the  true essence of his subjects. His photos are not only glamorous and  beautiful but they possess a striking  quality that  entices viewers. Beauty Confessional  had the pleasure of having him answer some of our questions about his upcoming book projects, his inspirations and the art of photography.

1. What led you to become a photographer?

I’d always been interested in photography and film since I was very young. I actually first starting shooting movies on my Nan’s Super 8 camera, I was fascinated by capturing people on film. I still shoot Super 8 now, I love the vintage look created from film. I then started shooting headshots for actors, and model comp cards, some celebrities and it built up from there.

2. Are there any artists who you admire/ who are your influences?
Absolutely, my biggest influence is Bruce Weber, I’ve always been a huge fan of his work. I love his films too; Chop Suey is one of my favorites of all time. He captures beauty in everyone he shoots. I’m also a huge fan of David LaChappelle, Terry Richardson, Guy Bourdin, Rankin, Herb Ritts, Peter Lindbergh, Greg Gorman and Sante D’Orazio.

 

3. Describe your most memorable shoot?

There are several shoots that are memorable. Shooting Pussycat Doll, Kimberly Wyatt at the Sanctum Hotel is probably my favorite shoot to date!! We just hung out in the hotel room and shot some photos, very old school and relaxed. Just the creative team, no pressure from art directors or editors so we just played around with ideas, and got some great candid shots, Which is how I prefer to work. Michelle Williams from Destiny’s Child was another great shoot, same kind of vibe on set. Both Kimberly and Michelle have incredible energy and look fierce on film! The Apple Bottoms campaign with my friend DJ Sassy Pandez was amazing! Also shooting Pete Doherty and his band The Libertines, which was one of my first assignments.

4. What was it like working with top boy band JLS?

Really great guys, professional and fun to work with. Very quick to get the shot you need from them too. They deserve the success they’re having. It’s one of my favorite covers.

5. Are there any magazines you would like to work with that you haven’t previously?

Interview magazine for sure, I’m a huge admirer of Andy Warhol and it’s always been a goal of mine to shoot for the magazine. I love the format of celebrities interviewing other celebrities.

6. Can you tell us about your book projects that you are working on?

I can’t say too much at this stage as I want to keep it under wraps but I’m collaborating with a designer friend on one particular project that is gonna be hot! It’s taken a while, as I want the book to have a strong concept and stand out in a market that is very saturated. Also being my first complete book it needs to executed correctly.

7. If you could work with any model in their heyday, which would it be?

Without question, Nick Kamen. He was a massive influence back in the day for me. He paved the way for the male supermodels. I would still love to shoot him now! Joe Dallesandro is another!

8. Do you have a favourite model that you have worked with?

There are so many, I’ve been privileged to work with some of the top male models. Charles DeVoe, Max Rogers, Freddy Bradshaw, Andrew Stetson, Kyle Ledeboer, Brian Shimansky, Don Hood & Doug Porter to name a few. Couldn’t choose between them.

9.Finish this sentence. A powerful image is….

Something you can look at over and over and never cease to be inspired by.

10. In 10 years, your dream is to be…

Continually successful with my career, I want to have several book publications under my belt and of course to be happy.

11. Photography is a very competitive industry what advice would you give to aspiring photographers?

Make sure you shoot what you enjoy shooting and play to your strengths. It’s harder these days to establish yourself in an over subscribed market. Remain passionate with you craft you can’t go wrong.

Thanks Joseph. For more of Joseph Sinclair's work visit his website 

Interview by Paula.

There is something quite "007" about Premier model Alex Beer; He is mysterious, sexy, athletic and not afraid of a challenge. Behind the camera or in front of it Alex is making waves in the fashion industry;modelling internationally and shooting ad campaigns for labels like Danielle Alessandrini and editorials for magazines like GQ. And like a true man of mystery he still makes time for his leading lady (sorry girls!). Be sure to check out his blog  where you can check out his photography skills!

1.    Tell us a little about yourself.
 I am a full time model with Premier. I have modelled all over the world and shot ad campaigns for labels like Danielle Alessandrini and editorials for magazines like GQ. I have always been interested in the creative side to photography and by the photographer's vision of how they decide on a story and then tell it through various compositions, lighting and subject expression. To me it is a window to a world that only exists for that moment in time and images are a permanent reminder of that world. Moving from in front of the camera to behind the camera seemed an obvious and easy transition. Photography is my passion.

2.    How did you get signed to Premier Model Management?

3.    Your modelling pictures have an element of mystery… would you say you're a man of mystery?

I think everyone has an element of mystery. That's what captivates you when you see them in images. The eyes tell everything about that moment… Modellling is like acting. You have to perform when the camera is on you. As a good model you have to make someone stop on your image, to make them think….having mystery is a good thing. Diverse mystery even better! Thats what gets you work.

4.    You shot an upcoming editorial for GQ with Zena Holloway, what was it like working with her?

Working with Zena Holloway for the November issue of GQ was amazing and it's a 12 page editorial so you will see a lot of her work in the magazine and the story behind the shoot.

It was one of the most exciting shoots I have ever done.

I love the water and I used to be a national swimmer so it came naturally to me to play my role in the shoot. Being underwater and shooting was very different to anything else I have done in my modelling career and as I am a big fan of Zena's work it added to my excitement when I was cast to do it! She is an amazing photographer; Friendly, easy to work with and professional. Although my eyes were very red after! I recommend putting full fat milk drops into your eyes while shooting underwater all day..!!!

 5.    Describe your personal style?

My personal style (photography) is very cinematic and with a directional approach, where the concept, style and all the details are carefully thought  out prior to the shoot with the models acting out their roles in the scenes. I create scenarios, concepts and feelings with my photographs.

My style is very eclectic and some may say eccentric! I love hats and I have lots of them, always like to put a hat with any outfit – no matter what the occasion!  I love putting outfits together with a twist….

6.    What made you want to crossover and work behind the camera as photographer?

I have always loved photography and art. I like to be moved by images, igniting feeling and emotion inside me. Being a model is sometimes very frustrating as you are just a subject, you have no creative scope or control. I am fascinated by everything that goes into creating a great shot; From finding locations to models to getting the right light, I could not wait to start taking pictures. I love the excitement I get from taking pictures. The self-fulfilling buzz and passion.

    7. Does your experience as a model influence and improve how you work as a photographer?

Being a model has helped enormously..! I understand angles of models, body posing and above all how to make the models feel relaxed to allow their personality and spirit to shine through in shots.

8. Any upcoming shoots that you can tell us about?
I am shooting the Autumn editorial for Refresh Magazine. And this month, the ad campaign for Nico-D. That's all I can tell you about at this stage anyway!

9. What is your favourite movie of all time?
Matrix.

10. Finish this sentence. At weekends I can be found…..
Trying to chill out and switch off from my constant stream of ideas (doesn't usually work)!! Watching movies and eating out in my favourite restaurants…..with my girlfriend, who I ADORE!!! ha ha